Tuesday 7 September 2010

Linkin Park - Hybrid Theory (2000)

Tracklist:
1. Papercut
2. One Step Closer
3. With You
4. Points of Authority
5. Crawling
6. Runaway
7. By Myself
8. In the End
9. Place for my Head
10. Forgotten
11. Cure for the Itch
12. Pushing Me Away

An Innovating Combination of Genres – 75%

When you think of Linkin Park these days you immediately think of hits like “In the End”, “Breaking the Habit” or “What I’ve Done”. You can’t help to think of the commercial rock meets rap combination that somehow works remarkably well. But once, Linkin Park were a part of the nu-metal movement and one of the most innovative bands in that very genre. A combination of DJ, rap and raw metal screams... how on earth would that work commercially?

This band did it. Where Rob Bourdon delivers some solid drums, Brad Delson and Mike Shinoda take care of some asskicking guitar riffs and to top it off there’s Joseph Hahn adding keys and samples to give the music a more DJ-like approach. Vocally we have Chester Bennington with his aggressive screams and at the same time his beautiful singing voice, nicely varied with Mike Shinoda’s rap. Normally I don’t like rap, but Linkin Park proves anything can be cool as long as the song that features it is cool. And that is the strength of this band. The songs are simple in structure, but undeniably catchy and heavy. Opening song “Papercut” gives us a perfect overview of the potential of this band’s formula. Computer drums open the album, soon to be accompanied by catchy lead guitar melodies and some rap. Bennington shows up two words at the chorus and at the bridge. The song is rap, metal and a bit of trance all within three minutes! And then they didn’t even show their full capability of voice combinations. Shinoda’s rap and Bennington’s screams are varied so greatly they finish eachother's sentences and feel as one. It’s highly unique and I haven’t heard anything like this anywhere else.

After the rap dominated “Papercut”, Bennington gets his proper introduction in the metal dominated “One Step Closer”. “With You” is more of a combination between the two with Shinoda and Bennington swapping vocals in the verses. The downside of the album is perhaps the alikeness between the songs from number four to nine. However, since the formula is so inventive and never heard before, the album loses almost none of its greatness. The instrumental “Cure for the Itch” is the moment of Mr. Hahn to show off his DJ skills. And then the last song “Pushing Me Away” is a true highlight with its epic chorus. Lyrically, the entire album is very depressing, dealing with adolescent problems, which commercially would connect perfectly to their adolescent fans.

I cannot find more words to describe the content of the album. It’s a really good album and I would definitely recommend this album to fans of nu-metal and to people who seek innovating albums. This one is definitely one to check out.

Strongest tracks: “Papercut”, “Place for my Head” and “Pushing Me Away”.

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